Knife Dance

I received ‘unknown’ footage from the National Film and Sound Archives, and was asked to try and identify source.

Yumutjin Wunungmurra identified his Father in the footage and the Dhalwangu Bungguls performed which reference earlier explorers – the Macassans from Sulawesi.

To process these fragments of recorded history and assemble a representation of cultural substance, Yumutjin wanted to create dialogue among different versions of history to demonstrate continuity to future generations.

The priority expressed by Yumutjin was not to reconstruct the past events as exactly as possible, but to engage various forms of authorship and intertwined processes of transfers into a performance-based realisation of continuous documentation. A production process was designed that accumulates various forms of intercultural authorship and connects all the interlaced media transfers.

Wuyal Wirrpanda
I produced, shot and edited Knife Dance (Yiki Bunggul) with Yumutjin Wunungmurra, who states:
“This is my home and this is how we sing a song to Gurrumuru. The dancers are warriors of the knife, they prepare the place for balawukuwu djinydjiraywu mawulmirriwu gandjamarrwu birrabirrawu balandathuwu – the spirit warrior. They follow the same path as their ancestors by preparing the ground with ceremony.”

Production stills

Mulka crew and the Gurrumuru dancing group at Gurrumuru Homeland

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