The preservation of choreographic work lays challenge to the core principles of the traditional museum model—perpetuity and permanence. What processes … More

Interfacing with different cultural practices is a defining feature of working in the conservation field. However, do conservation students learn … More

This presentation examines the states infrastructure monitoring systems for disaster management during Australia’s recent bushfires, with analysis focused on how … More

In Peppimenarti, there is no library, museum, or higher education facility. A lack of infrastructure has greatly limited intergenerational knowledge … More

Alan Griffiths performance archive for The National: New Australian Art, 2017.

All the infrastructure involved in circulating Wukun’s archival art – the warehouses of servers, the bulbs of electronic displays, the … More

What conservation strategies can be used for Tino Sehgal’s 2005 work This Is So Contemporary, and what are their relations to … More

Yirrkala was an isolated mission station until the coming of a huge bauxite mine in the late 1960s. The impact … More

Documenting the indivisibility of ceremonial art forms – dance, design, language, sculpture, story, music – according to the collective intent of the Rirritjingu. Capturing performance … More

Developing resources that support deeper levels of interaction and collaboration between centralised conservation experts, regional institutions, cultural workers, local volunteers, … More